Thursday, April 15, 2010

Sestoum

This is an experiment of sorts where I've tried to use a sestina's scheme but instead of repeating end words, tried to repeat entire lines.

If you had leaned into me
and if we put words to every instrumental,
if I had spoken up over the wheeze of a car starting
and if the car had not started anyway,
if we counted the years by each winter
and if each spring we walked the coast,

then in the Spring we will walk the coast.
You leaned into me
and we counted the years go by. Last winter
we put words to the instrumental
of a car that had not started.
I sang over the wheeze of the car not starting

and as I sang, the wheeze of the car not starting
sprang and walked along the coast.
The car had not started, after all,
and so you leaned into me
whispering how words are instrumental
to counting. Each year the winter

counts itself. "The winter,"
I said over the wheeze of a car starting,
"will put words to an instrumental
about Spring and walking along the coast."
You leaned into me.
The car did not start,

and though the car did start
we still counted the year by its winter.
You leaned into me
as I spoke up over the wheeze of the car starting
and we thought about spring, and the coast.
The words to instrumentals

are in the end just words. Instrumental
to a car not starting
are its own dreams of spring. The coast
will count the years by their winters.
And I will remember the wheeze of a car starting,
and how you leaned into me.

Razor Sharp

Her lips are so thin,
that the men she kissed
had to spend the morning
scrubbing bloodstains 
from their pillowcases.

Wednesday, April 14, 2010

How To Start A Revolution

Turn
Around.

W4W 22F NYC

What is a blind date
but one big stumbling block
before the desperate?

Pop Rocks

Tear the package.

Spill them
slowly 
into your hand.

Sprinkle the fluorescent
pebbles
across your tongue. 

Press upward.

Feel a crackle 
along the roof of your mouth.

This is as close 
as you will ever come
to tasting lightning. 

van Gogh

paints by absinthe
and starlight
willed blindness his achievement
a signature, too
in the dark
that we all know
but not how to describe
a chair
beyond the farthest city lights
he sat
half his face
in the gaslimp yellow haze
his other half
deaf but attuned to oil
swirls, turpentine
and the bats, of course
if there were bats

A Benadryl Dose

I'll cut the clover with surgical precision.
I'll suck the sap, venom in your wound,
and make you sterile. You think everything is close
to weeds in the neighborhood subdivision Willow Tree,
this backyard hill of snake skins, crab apples gone
to worms and newts with half-tails.

The most terrifying thing is a wasp's nest
above the front door. You stare at the cones
and see them raising on your skin. We both jump,
hiking our feet to our knees, as we search
for our lost dogs who have wandered
in the unsold lots, wild places
where people take their dogs
to shit so they don't have to pick it up.

An owl hoots and the buffalo farm is long gone--now a tree nursery--
and I say we must end this mad world of mad worlds and make it clean.
You come home and find a snake trapped under the garage door.
After you brush your teeth, you lift your shirt and see
a line of bug bites around your waist. I trace the path
and wonder what is hiding beneath the couch cushions.
You grab your shirt from the back and pull it off in a fit.

In the morning, news of the high pollen count and the possibility
of tax incentives for people with mustaches make you feel dizzy.
We both like the idea of a nap on grass but we
must strike the snake heads with our shovels,
even after they are severed and dead. We must

chase the purple cabbages that run from us,
squeeze the goldfish of their marbles,
take the airplanes to the chipmunks,
chew the eggshells until they silken.

I'll take the muppet from your lips
in a week and let you sleep.
I'll pinprick your heart to know
the dander, the mold of the world,
and leave you stunned in the thunder of spring.

Tuesday, April 13, 2010

Where the Mail Trucks Sleep

I like to live where the mail trucks sleep,
to see them safely stowed
each night as I file to my bed
and they along the road.

Not snow nor rain nor heat or gloom
affects their nightly pose,
and I in turn am comforted
toward my own repose.

These stately beasts that fume by day,
that honk and puff and glower
stand magnificent at night
as proof of stately power.

Goodnight, sweet trucks, and fare thee well,
I wish you peaceful rest
and dreams of sweet deliveries
upon tomorrow's quest.

These Lips

I'm sorry Mother but I'll paint my lips
Plum Sky, Medieval Blush, Flirty Nude,
Spring Rose, BonBon Sands and even the shade
you hate the most--my NARS lip stain in Rage.
But I'm not wearing these lips to kiss the mouth
of some man and write my number on his hand.
You try to wipe my lips with a tissue but
no I’ll kiss my own hand first and look
at the imprint that settles into my skin.
I’ll read those fine lines like scoring the Bible pages,
I’ll flip through those onion thin verses
and show you the name Jezebel does not appear.

It Was So Far Off That We Thought It Was Too Far And Perhaps Imaginary, Or, We Woke Feeling Meteoric

We checked the time too often in the following
weeks, but not even the precision
of moments buried
the smoking ash of a fire we
never expected to see the end of. Like the dull wake
at the first line of movie credits.
We blinked, and rubbed our eyes.
I bought a notebook.
You helped rip the pages out.

Whisper

Your briefest words
make me shiver,
as though they were
your fingertips
reaching 
through calendar pages
to tickle
the back of my neck.

Lisbon

Ah - the seaborne European empire
of sunsets and of sighs, of narrow coast
and a sun that's soon to clamor and rise
on five thousand miles of salt and unlit
American coast that is no longer
Portugal.
                 Is that why you search the West
sky for signs that time is running backwards?

Do you still await an ocean to drown
the mountains of Spain and bring you rosy
dawns from some fresh sea and with it your lost
King Sebastian?
                              I think I met him once,
your ageless King: he ferried me across
a tide of legs engaged in marathon
to safety safely lost in thought on streets.
"I'm going that way" before he leaves me
to retrace the alleys tiled in silence -
a Sunday parade of two for two.
                                                            Wails
from an Evangel interrupt and King
is lost to preacher in a whitesoaked room
of grey dusk
                           where, the lone parishioner,
his backrow love dressed all in white, listens
for the hollow echo of a sermon lost
to darkness on the last dull tube of light.

Monday, April 12, 2010

Bildungsroman

Something was an open eye.

There were bright things cut like glass and spackled together. Some will tell
you that from far enough away you will see a woman kneeling and weeping
into her hands. Others say it is a great reef. Or the vascular system in an

ageless tree. Then

horrible things happened. Grief came on the heels of yesterday morning's
hike up a wet hill, dark and not yet dawn, shimmering like the thousand-
eye of a spider. And yet the dawn for all we knew really was a chariot drawn

across the horizon. Every night was a tragedy in a single act; every night
was the twinkle of a forgotten light atop a buoy no one else ever saw
except in the morning. But better notes too were written,

and we left them in patient cursive on our pillows
to remember us by.

8 PM

It's eight o'clock in the evening.
My uncle is downstairs,
brewing coffee 
and frying eggs.

I stand on the top step, 
confused, 
anticipating something 
that isn't coming.

I wish that, as my nose indicates,
I had the day ahead of me. 

But I peer out the window
and realize,
that I can only look forward
to sleep. 

Why can't the real morning
motivate me so?

A Reminder of You in a Reminder of Me

You bought this mug at a yard sale
Because the cartoon frog painted on its side
Had a smile that reminded you of mine.

The dishwasher has stripped the paint away
But I still drink tea from it and think of you.
Your memory has been good to me.

i have no idea what to call this


a font of blood, my neck the source wells up
red, and warmth runs through me, spreads on the cotton
by my clavicle and the car window
is broken. i do not bleed or i did
not see who shot. so i lie

still

for years i tried to sleep on my side
with my ear pressed close to my pillow's cheek.
the sound of a heartbeat in the feathers.
as foreign to down as a black boot crunching

snow underfoot. step after heartfelt step
i hear this intruder in my dreams - pacing - 
before biology arrives to explain comfort and
before the night surgeon tattoos visions
on the underside of eyelids in the dark.
these boots i am wearing are not mine.

Sunday, April 11, 2010

Going out to drink, to dance

It’s a circular flow out into the uncertainty of night where visibility fades to black. It’s an exploration. It involves planning, preparation, dressing, departing, traveling, arriving, arriving, arriving, enjoying, playing, drinking, paying, remaining a while, moving, dancing, flirting, lingering, chatting, watching, approaching, blushing, changing locations; it may involve a smile, a glare, a scowl, it may involve reaching out, faltering, falling into an embrace, falling back, falling into a trance, falling in line, falling down, falling in love; it might end collecting oneself, collecting one's things, departing again, traveling again, and finally, ceasing with all of this to arrive back where it all began — home — feeling serene in the familiarity and silence not because it’s quiet but because prolonged exposure to such loud music causes partial and temporary deafness.
Spring for me is a mini death
But it's the French sort.
So I guess that's okay.

The Tables Have Turned

What a funny expression, as if we were sitting
down for a pleasant meal at the Excellent Dumpling House
and some nameless force spun the lazy
susan when we weren’t looking, and suddenly
the pheasant was out of your reach. As if we were throwing
dice down a long table in Vegas and luck finally found
or deserted us. No, the table must be between us,
I suppose. Or common to us, as if staring at the wall
of a third grade class one day, and the long chart of two
times two and three and four suddenly referred to some
other kind of math, with all the rules changed. But no,
that is not right either, because in that classroom
we would both be equally powerless and afraid.
Frankly, I think the whole conceit is hollow.
No table has turned. We have, sitting at it,
and now it seems it must be time to walk away.

60 Minutes

There's an old man on TV
complaining that I don't cherish time.

He tells me not to make plans,
because in their anticipation 
life will pass me by.

Yet, just two weeks ago, 
when I felt down, his advice
was that time heals all wounds.

So tonight I asked him, "Andy,
what would you have me do?
Should I just sit here,
slowly bleeding?"

He smirked and replied,
"take my advice, you brat.
It's gotten me this far,
and that makes me an expert."

But I don't hear the old man.

I'm hypnotized
by his wobbling jowls,
and by thinking of how to avoid 
becoming as smug as him.

Endnote

It is when the sun has split
the heavens like a brilliant can opener
and all of everything has burst
out of the wide, jagged gap
in a kaleidoscope of junked cars and windmills,
and apple cores, and bags
of mown grass that I remember how
revelation means uncovering.

Apocalypse, too.

What of the world which is the shadow
of the world?

Lift the corners and snap it
like straightening a blanket: underneath
is not the street you live on or the route
you take each morning to work but the rocky
coastline of Patmos creeping

into infinity.

Saturday, April 10, 2010

Apartments by Owner

I hate birds
but will admit
the term “nesting
instinct” most accurately
describes my drive
to collect that
which in sum
makes a home.
I will tuck
down and cotton
into the walls
to plug drafts,
drag in wooden
flotsam to suit
our prairie aesthetic,
and feed everyone.
I want to
paint the walls
in warm yellows
and hang curtains
that flutter gently
in afternoon breezes.
Pier One will
be my hunting
ground, and may
God have mercy
on any man
who tries to
out-barter me
at the flea
market on Saturdays.
Exposed brick, lofted
ceilings, utilities included:
none of this
matters a whit.
I’d just like
not to move
for a while.
Fight or flight
must get old
for birds too.

Ransom Note

I'm writing this
just in case my baby calls,
so just in case
my baby calls, you can say
I was taken, all at once.

And just in case my baby
calls know that it was me
and not me, that both were taken,
that both
left.

I am reading a prophesy of what is to come.

And what is to come says Go.

So just in case I'm not around
when I won't be around and my baby calls,
tell her I've gone,
tell her I'm taken.

Tell her it's the same thing.

Packed

I pile the clothes into a bag,
which I will carry
across the city.

I have to be ready
for changes in weather,
lugging enough
to warm me into the night.

But with each article,
the bag gets bulkier.
So I have to weigh comfort 
against readiness.

After months of dragging 
boxes, from town to town.
I've come to realize,
that it's exhausting 
to try and prepare myself 
for anything.

Friday, April 9, 2010

Rubbed Raw

My heart is still raw, but you wouldn’t know it.
Every morning I groggily bundle it in soft layers
and a hood and usher it out the door, making sure
it has not forgotten its backpack. I zip angel food
cake and encouraging notes into its lunchbox.

I’ve gotten my heart the best headphones money can buy.
They fit perfectly over its ears, with a bass boost for the beat
so it does not forget its purpose. I pad the cells
of my calendar to keep it from rattling, so no emptiness
makes sonorous the gaping void that might echo
thoughts of her back upon themselves indefinitely.

Most days it stays pretty well cushioned. The bumps
and sharp turns of the day knock my heart against
its casing, but it is bottom-heavy and well grounded.
It almost always rights itself before anything spills out.

The trick is to make sure that, like a foot in a new
shoe, it is not rubbed too long in the same place.
I don’t think there’s a thing in this world I could talk about
for twenty minutes straight without weeping.
Polish a pocketed penny with your thumb for half a day,
and tell me its luster restored brings no tear to your eye.

A Word of Warning

There is a great chef 
named Tyranny Sue,
who is known to scream
till her face turns blue.

See there's only one dish
that she'll ever make.
And she strictly controls
the grade of her cake.

So when in her kitchen
you must keep your head.
Don't ask to make chicken,
pork chops, or bread.

For there is a story
about Tyranny Sue,
of the pain that she caused
to a misguided sous;

an unfortunate soul
who made the mistake,
of suggesting they try
and cook angel food cake.

Sue strung up the poor boy,
and once he was dead,
dried him out like salami
till he no longer bled.

You see, that's the secret
of how Tyranny Sue
makes such a finger-lickin'-
good tiramisu.

There's a secret ingredient 
in each slice of cake.
See if you can taste it
in the next bite you take.

It's that poor little sous chef
hanging up in her shed.
In the place of ladyfingers
Sue uses his instead.

Death of an Avid Reader

The words came out of his mouth already
Formed into perfect red apples which she
Ate too fast.

Interstate Ode


I.
A few days after the wheel - we will call the human A - A thought up the axel.
Then A died.
In the memory of A we have the cart, which a sweating Aramean yokes
to an ox for a walk at a time when roads stretch slowly behind
unfolding in reverse. Ruts repeated in grass and mud.
Time. More carts. The idea of the wheel spreads
a slow fire where it goes. Roads follow, a map shows,
errant spokes on a freehand sketch radiating outward. 

If only it were flat, damn it.
The world has no respect for roads, or planar geometry.
Just mud and ruts.
And why is the shortest route between two points no longer, necessarily, a line?

It is probably a road.

II.
Two cross (perhaps in a wood) a problem: intersection.
Solution: code of conduct. Eye contact,
a gesture from the unoccupied left hand,
a grunt signals to a cart how to proceed and then progress.

Etiquette today:
octagonal, red rear-view tar smeared asphalt evergreen
air fresheners concrete curbs and rear-view mirrors slurped sodas
sunglasses cell phones Technicolor green electric lanterns red to yellow
jangled in the dusty wind on cables rear-view strung from metal pylons and
A wraps hands around a wheel wrapping objects in rear mirror are than
they their own Safari ® steering in acrylic leopard pelt appear

an asphalt kiss
in precise symmetry.
Two, three, four lanes – in either direction. At any given exit,
an entrance available in either direction where the only reason
to pause is lack of fuel.

For Inspiration

I just found this one the Poetry Foundation's website and thought it could be some help to all of us. I rarely feel as inspired as I do after listening to a sicknasty poem.

Poem of the Day

Thursday, April 8, 2010

A poetry reading

Eliot and Keats sound just as you’d expect:
one nasal, one booming, both buoyed by affect.
I scoured the files and at last found Ms. Plath,
whose rage was more definite than I had empathed.
We grew up with Ginsberg and Dylan’s a given.
In fact, there’s no trouble with poets still livin’.

It haunts me, the voices that I’ll never hear,
though the tone and the diction resound in my ear.
Have you wondered, at times, of the timbre of Dickens,
or if Sappho’s drawl made the Grecian pulse quicken?
I stay up at night, just tossing and thinkin’
how sad it is never to listen to Lincoln.

Dear Me

I found mouse droppings on my childhood diaries
in a drawer that opens for anyone to read.
This is what comes to diaries.

Upon Listening to Mark Strand Read

Really there was my Self, and that
is all there was. The moving car
and the bar at midnight - both
me, as much as I'll ever be. And as for those
sad lost things, the shadows around
a planet's composite rings, the outline
of the iron dust a magnet lifts, the gifts
and the fire trucks, they too are here,
somewhere. Search through the pockets
of the memories I haven't got
and underneath the lesson plans pre-written
for what I've yet to hand
over to whoever's in charge you'll
find a guarded, secret place: here
is where You take shape.

Ugh-ly

My room is steamy.
Didn't I leave Miami
to avoid this crap.

Ode to Joy

Stop circling the bell,
Just ring it, Loud!
Throw all your butterflies
Into the crowd.

Snappy

I found her to be
A snappy lady.
Not to be confused with
The Snapple Lady. Whose products
I fully endorse.

Wednesday, April 7, 2010

Four questions

what makes you the expert on poems?
who is grounded when the sky’s the limit?
how much merriment does joy merit?
what is mania but the American Dream?

The Most Important Lessons of This Child's Life, So Far

Have not resulted - as the boy's father assumed
Before becoming a father - in tough-love scoldings,
Tears, and forced apologies. Instead, they occur
Unexpected, in quiet moments, and they pass
Before he can think of saying or doing the
Fatherly thing.

Driving, he listens to the boy in the back seat
List the people coming to Easter Lunch, guessing
Almost everyone right: Papa and Grandma,
Annie and Mike, Uncle P and Tee-Tee. He is
Wrong only about Tee-Tee, a once-certain
Future aunt.

"Well," the father starts, "Uncle P and Tee-Tee
Aren't together anymore." The boy's blond scalp
Tilts in the rear-view mirror. At the next stop sign,
The father turns to face the boy. Both pairs of eyes
Land on the squiggly dinosaurs dancing
On the boy's undersized necktie.
"Do you get it?"

The boy answers with innocent certainty. "Yeah."
He has learned to answer this way to questions he
Cannot fully understand. Do you love your baby
Sister? Do you love Jesus? Does Jesus love you?
He has also learned to walk, to swim, to not take toys
from his infant sister's hands, as all humans do -
Through repetition.

Hours later, the father holds an empty glass
By the stem and calculates how many years
Will pass before he learns the perfect words.
The boy opens and closes, opens and closes
The plastic egg he discovered in the yard,
As if willing the three jelly beans inside
To change color. He looks up, eyes searching the air
As they did the first day of his life, and he asks,
Where's Tee-Tee?

new haven

i have a tendency to chase them out
with chance encounters where
we reflect on celestial kisses
and symmetry and how stars shatter
before shivering and recently with them these
ghosts i survey what was never ours.

i climb to rooftops where i slip
under wet steel barriers between
quips about necks and lips
to stare at a city submerged in fog.

it is a fog that blurs its spires
we tell ourselves while we talk
(yes it is that kind of city).

it is here that a roof becomes precarious
in the way that only a precipice can
and we grow too close to the ten story
limit, telling and telling and telling.

chayefsky is with me from floor thirteen
to the lobby, while i dream of fellini
and screens and and all the years between
and my mind drifts to a fall - nothing
serious. ziggy just jumped off the roof
at a wedding. two storeys and
all he had was a cast and ziggy
is just a white dog with a neon cast.

our thoughts and words, our vision
hazy with the fog, spiral
in admiration of the prestige our
city never attained (acid weakens
does not strengthen stone structure
and you cannot reinforce the past
with steel) is what we learn
in and around the silences. we agree

sitting on parapits stinking
of damp tobacco. we stare at cars
that circulate a roundabout parking
lot, down and down and down.

this is my city, or was
caught in a hairpin turn
several ivy miles
from the buckle of the rust belt.

Scallion Pancakes

Scallion pancakes
are essentially sponges.

Sponges of fried dough,
with a few green slivers
scattered inside.  Just enough
to give the dish a name.

But many good foods are sponges.
For soy sauce or syrup,
or broth, or liqueur.

We learn in youth
that we shouldn't run 
our fingers through sticky pools, 
no matter how sweet 
or succulent they may be.

So we strive to create a perfect vessel.
Something to cordially carry 
the liquid flavors to our mouths.

But no matter how much 
we elevate these inventions,
they are really just 
glorified sponges.

French Music

[This and the two earlier poems like it, Matin and The End of the World, are I think becoming first drafts of an extended sequence called Documenting the End of the World]

It looked like it was raining
so we tried not to get wet
and hung umbrellas
from the sky like lily-pads.
I mailed a package and you
waited outside. We
both agreed that you should have been
smoking. When will it be
too late to recover the lists
we never made?
Shake what must be a hole
in the umbrella's worth
of rain from your hair and put
French music
on the stereo so we can pretend to be deaf
and transcendental.

Untitled

When you stare through the glass of the el window,
You can will poetry into any picture.
Stare long enough
And the metaphors overwhelm,
So seemingly full of profound poetic possibility
I cannot bend or form them.

Misspelled graffiti so large you can read it blocks away. Does ‘cock’ seem meaningful this morning because of the size of its letters or because tomorrow they will vanish under a wash of black paint?

The homeless stranger who screams Thank you, thank you now at the same intersection every morning, the words escaping from his mouth with only the slightest twitch at the corner of his eyes, as if he is not entirely accustomed to expressing gratitude to those whom it has never been due.

The light that comes on beneath your feet, beneath the sidewalk grate, illuminating a ladder as you step.

The arrangement of the words APPROACHES TO VALUE.

I am incapable of reflection,
of taking the lives I stare at and folding them
into prose or verse.

I watch them until I hear my blood
pounding behind my eyes.
I challenge someone
to make eye contact,
I am terrified they will.

Stare is from storren, to stand out, project. I do not want to think and so I stare. I try to fill these vessels, trying not to see the projection of my own hollowness through the window.

Is there poetry in a train car filled with rows of people, heads bowed together, reading the same newspaper in unison? Is this less of an act of worship than the screaming woman in the wheelchair who prayed for each one of us? Jesus I compel you, lay your blessed hands upon this bus driver and all bus drivers.

Clapping, singing, in Jesus’ name, Amen.

That mint

We scraped my chairs across the floor,
and taped notes to the windows, open.
A decent day at last.

I plugged the griddle, poured the batter,
so you could watch my tadpole swim
the kitchen, magnified.

Carrying a Cuban mint,
a purple-stemmed, hopeful thing,
I followed from the bedroom to the porch and back,
wondering if that man loves you. With you.

We reached a time of affairs somehow,
and yesterday my fingers never smelled like onions.
We both smoke, but I carry mint.

I wanted to post a poem titled "A Loss of Meter and Dignity" but thought for all of us that this might be a better choice...

I-94

When I’m on the highway and pass other people in their cars, I always imagine that they are brief poems - so far from me in their compact metal planetary systems. I just passed a lady that looks like she’s sitting in Mars. Then another comes on some comet shooting by. Then I pass another on the left – is that an old satellite he’s sitting on? One can only guess. Everyone rides in their own meaning.

Tuesday, April 6, 2010

you will know them by their glasses

by the blank lens, large and flat before their eyes.
you will know them by their patterns
plaid and polkas, paying no patronage to their prairie roots.
you will know them by their music,
the names spat back and forth in contest of i knew them when.

if you are still unsure, look to their bottom lip
look how it quivers, how it leans forward
waiting to pout.

be mindful of darting eyes at a party -- they seek
a hidden ladder behind you. do not trust anyone who sings
in full vibrato in the shower. count the proper nouns
and divide them by the kind words in each sentence.

when all else fails, look to their fingernails.
if they are not chewed ragged, you will know them.
the righteous cannot keep a manicure.

Apertures

For Namir Noor-Eldeen
1.
Took in the coughing light
of a fire shouldering from a truck
and later the light disappeared
from the shelled out remains
of a car, burnt and twisted the way
bones do not. Here are children
and in front of them two sandals,
a pool of blood, the unghosts
of what was, perhaps minutes before.
Sometimes a woman praying.
Sometimes children throwing rocks
at the aftereffects of explosions.
The sand cushions the knee when bent
for stability.

2.
Black and white, not for dramatic
effect. Grainy, people as the structures
that move. The helicopter's camera
wobbles while invisible voices
speak in another language: Crazyhorse,
Hotel, Charlie, Echo. Count
the bodies. Hollow the insurgent with
a camera. Leak the bastards into the bastard
street and leave them, unholy.
We cannot see their faces anyway.

3.
I too am twenty-three, though I do not
lie down ripped apart and drilled through
where the light can peer through the holes.

Double Down

Bacon, cheese, 
spicy mayonaise,
served between two fried 
breasts of chicken.

Using meat 
instead of bread.
A sitcom gag 
brought to life.

When it debuted,
in "special markets,"
people thought it was a joke.
In my heart of hearts,
I still do.

Or perhaps, my heart  
just wants it to be;
seeing it's mere existence 
as a threat to my health.

"Don't worry," 
the menu coos,
"it's most available fried,
but can be grilled too."

Monday, April 5, 2010

Matin

This morning the sun lay
like planks shuffled over the rooftops.
I placed my hand on the stair-railing
as I walked up the stairs just to feel
the railing. Someone called
my name. Only, it wasn't anyone I knew
and it wasn't my name either.
I thought about the lightness
of great things, like feathers,
and souls, and tried
to compose a poem where
the sky was a levee, broken apart,
like eggs with the yolk spilling over
the rooftops, and everything.

Haiku for the Sun

You, my wily friend,
give and give and give and suck
the sleep from my bones.

Burrito

I've tasted sugar, spun 
so thin that it floats.

I've eaten pillows of foam;
effervescent clouds of flavor.

I've sipped champagne, which
feather-like, tickled my nose.

All these things, 
and countless others,
have delighted me.

But whaddya know?
Sometimes all I want,
is a belly full of burrito.

fulton market

fulton market is a dinner plate
of a street

                 I walk down
wearing a dinner jacket (of sorts)
and gloves. 
                    unlike many meals
there is first a dumpster
perched on a dovetailing glacier
that bleeds rust,
                         flecks of sea
scales, silver pepper on ice
and by the salty smell of it
we’re having fish

but as any eater knows
dinner really begins with pork
where the tines of a fork-
lift carve into the curb. they 
are propane powered, 
turning on dimes. they 
haul meatpacked sirloins and flanks
while disused shanks 
wind up in Scrap Waste,
(a truck that conveniently trundles 
by at eleven).
                     it travels across 
the carved curbs leaving curlicues 
of rubbed off rubber
as the hunks of fat and flesh leave
bits of fat on its metal pieces.
these are the macro
markings of a morning industry.
The Jungle where buzzwords
circle over head 
but never swoop down
to the ruts and grooves
because there is nothing
- no blood - that should course
through these veins while
meat is packed, boxed, 
saran-wrapped

in the shadow of that skyscraper full of ice
(for cold storage)
and everywhere, there hangs in the air,
the smell of old, wet fur.

are you still proud?
old hog-butcher? or have you
grown starved and thin, 
hiding your knubbly bones, 
your bloody hands beneath a clean
apron in the morning sun.
is it for shame that you
hose down the sidewalk 
by five?
            in any case, you missed
a liver and a breast and a pair
of lungs here on the street.
          
but the trucks don't seem to mind.
they trace time the same way that it carves
streaks into overused china
gathering the signs of use
along with those of disinterest.

on fulton, there’s always a puddle
to push down the drain

and Blommer's will cloak your stench
with chocolate, and suds
will accompany blood to where
it all began, as so much froth
bobbing on the lake.