Monday, April 5, 2010

fulton market

fulton market is a dinner plate
of a street

                 I walk down
wearing a dinner jacket (of sorts)
and gloves. 
                    unlike many meals
there is first a dumpster
perched on a dovetailing glacier
that bleeds rust,
                         flecks of sea
scales, silver pepper on ice
and by the salty smell of it
we’re having fish

but as any eater knows
dinner really begins with pork
where the tines of a fork-
lift carve into the curb. they 
are propane powered, 
turning on dimes. they 
haul meatpacked sirloins and flanks
while disused shanks 
wind up in Scrap Waste,
(a truck that conveniently trundles 
by at eleven).
                     it travels across 
the carved curbs leaving curlicues 
of rubbed off rubber
as the hunks of fat and flesh leave
bits of fat on its metal pieces.
these are the macro
markings of a morning industry.
The Jungle where buzzwords
circle over head 
but never swoop down
to the ruts and grooves
because there is nothing
- no blood - that should course
through these veins while
meat is packed, boxed, 
saran-wrapped

in the shadow of that skyscraper full of ice
(for cold storage)
and everywhere, there hangs in the air,
the smell of old, wet fur.

are you still proud?
old hog-butcher? or have you
grown starved and thin, 
hiding your knubbly bones, 
your bloody hands beneath a clean
apron in the morning sun.
is it for shame that you
hose down the sidewalk 
by five?
            in any case, you missed
a liver and a breast and a pair
of lungs here on the street.
          
but the trucks don't seem to mind.
they trace time the same way that it carves
streaks into overused china
gathering the signs of use
along with those of disinterest.

on fulton, there’s always a puddle
to push down the drain

and Blommer's will cloak your stench
with chocolate, and suds
will accompany blood to where
it all began, as so much froth
bobbing on the lake.

3 comments:

  1. mellifluous--

    "in the shadow of that skyscraper full of ice
    (for cold storage)
    and everywhere, there hangs in the air,
    the smell of old, wet fur."

    great--though at times i wonder where we are in the poem--specifically at the beginning, when i think the speaker's at dinner but then he's not?--maybe i'm not reading carefully

    nice reinterpretation of sandburg and i wonder: IS this a reinterpretation of sandburg? or a reiteration? call it hiding in shame, but it still seems overpowering.

    love this--so visceral:
    " in any case, you missed
    a liver and a breast and a pair
    of lungs here on the street."

    reminds me of that south park episode where mr. garrison is teaching kindergarten, and the sick kid has to come in to vote for the tie-breaker class president. he has the bubonic plague and coughs up a lung. as he shuffles offscreen, mr. garrison says "thank you, johnny, don't forget your lung" and hands it to him.

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  2. i share eric's location queries. and on another level, sometimes i think your descriptions might take equalize the poem, if that makes sense. like, lines such as those eric picked out become part of the stream of descriptions, and lose some of their individual poignancy since there is so much more interpretive descriptions to parse through.

    still not sure that's coming out clearly... but let me know if that makes no sense. i guess part of what I am saying is that i so want to read the poem visually/viscerally, but i also want to see what it's leading to, and sometimes these things are complicated by the prevalence of more allusive and difficult description.

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  3. thanks for the comments! very helpful and plot or any semblance of it has never been much of a fortay. something to work on...

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