I
Was
So still,
The stars
Came down
And ate out of
My hand, upturned, snow capped.
Friday, May 7, 2010
Thursday, May 6, 2010
The #8
There is a man on the bus who is reading a book, or there is a man on the bus who is not reading a book but it is open on his lap and 'water' is the only word visible in the title since his sleeve obscures the rest. Or the man has a book open on his lap but he is asleep and the person next to him is reading his book, nudging him in such a way that soft currents from morning sighs and the mechanical doors that open and close somehow manage to turn pages in time to the sidelong glance tracing something about water through the margins and down each page. Or there is no book and there is only a man sleeping with the word 'water' in his lap like a puddle on the bus and he is snoring loud dreams of the world passing by through a window that's directly in front of him. He looks up from the nothing he is reading since the book has run through his fingers and pooled on the floor into a foot-print covered pulp of crumpled newsprint and he looks up to a sidelong glare from the person sitting next to him, breathing heavily as that person takes a seat, or he writhes slightly to avoid a different man, overflowingly fat, to his right but the man still does not manage to see anything because he still snores is still asleep and still looking up and the world is moving by outside too quickly and too blinding bright for discerning and then there is a rubber smothered buzz and a green light goes on somewhere and the door opens and the water in the man's lap evaporates and suddenly there is only sun, sun so bright it scrubs green into the deepest corner of each shadow and there is the vacant lot that opens the city to clear skies just beyond a row of tenentless buildings still as vacant as the lot and made in multiple shades of mute and sullen brick and the man is no longer there. Perhaps this is or is not why, dissatisfied, without a book, or thirsty, the three pedestrians dissipate in cardinal directions around every corner but one, unturned.
Prone
For the most part, I learned how to listen.
Here is the secret:
sit restively, lean forward, and always
be the one speaking.
My friends were gracious with their circumstances.
Whatever
was solely farce ran far from sight,
like a hard rain is unbelievable to an anemone -
more enviable than mistaking it all
as desert.
Still, you are never so real as when
I am. Neither my imaginations, or
my body. Could it
be otherwise? Either we are prone to decorating
even the trees and the thunder with ourselves
or we are prone.
Here is the secret:
sit restively, lean forward, and always
be the one speaking.
My friends were gracious with their circumstances.
Whatever
was solely farce ran far from sight,
like a hard rain is unbelievable to an anemone -
more enviable than mistaking it all
as desert.
Still, you are never so real as when
I am. Neither my imaginations, or
my body. Could it
be otherwise? Either we are prone to decorating
even the trees and the thunder with ourselves
or we are prone.
Wednesday, May 5, 2010
Prepare, Take 2
I've wanted to experiment with trying to ruin the piece as it's being performed. This is my first attempt.
July 4, 2008
It was July and there were plates and paper napkins and platters of food and crumbs of food everywhere. It was all kosher, I think, unless maybe you mixed this with that - but no, it must have been since that's the kind of house we were in. And there was beer and then wine or we begin with wine and end with gin and wake up to beer after the smears of fireworks and a little roman firecandle or roadworks spitting fire like a narcoleptic, winking, night lamp in the backyard beyond the gas grill. It was a round table with a plastic table covering and the shirts were cotton or taken off entirely or polyester like the pants by the pool (the ones that were not taken off entirely) and of course it was Connecticut when Connecticut still smelled fragrant and the Maple leaves were dark green and the Oak Ferns were light green but the Azalea was radiant and red and the garden, despite how coiffed, had an overwhelming thickness that the ebb and lull of Cicadian rhythms locked in hemiola. There were other tables - square and rectangular with taut-skinned older folk (and soft-skinned older folk, too) arranged more hierarchically than us at our round table and with diminished appetites and more sobriety (only in a few cases). Everyone had eaten and we were all just waiting for the dark to see the works and sitting at the tables taking in the liquids or jumping in and letting the liquids take us. One or two might've exchanged a fluid but no one cared, or noticed. And then there were the cocktail umbrellas since it had been sunny all day and unbearably hot - the thick heat that is how you know Connecticut is still Connecticut and the cocktail of choice makes no difference. It's simply the one of the moment - so despite floral patterned paper umbrellas in the cups next to the platters, we begin to pull apart all the ones in our drinks or next to the platters or our plates and we pull them all apart and realize that beneath the dyes and the ornate, cartoonish flowers (someone's nearby father or grandfather or both still said 'Oriental') are characters and not the kind that spell familiarity but the kind that connote political incorrect trips over typification and someone said Said and we unraveled more and uncovered someone's very distant but still DailyNews that had been dyed and dried and repurposed for positioning just to the left of the Uncle Sam napkins and the Independence Platters in the crushed ice cup of some American sorts in the backyard garden of a dignified real estate noble or mogel hosting one of those characteristically July Connecticut Freedom Feasts and warding off the rain with the distant, daily news of a place where Said said or continues to say that this day the day of our independence day is not a holiday but a day where they repudiate our leisure with their labor someone said Said even says that there they may or may not.
The Funnies
I used to read the comics every morning,
Every single morning,
While I ate my breakfast.
Even in high school.
And they weren't funny
But I still did it.
Every single morning,
While I ate my breakfast.
Even in high school.
And they weren't funny
But I still did it.
Prepare
First, there will be a sensation of lightness in your fingers. Rough textures will be preferred, and you will spend hours sweeping the dirt from the sidewalk in front of your house. Soon enough you will stop, not from desire but from the creeping itch walking up your hands and feet. You will stay indoors, close the blinds, and tune yourself to the borders of your feeling. Everything else is disappearing too, you can see it in the cracks of light that escape and shine layers of dust in the air. You used to think it odd, that dust would gravitate to the light. Now you know: we are swimming in the detritus of everything around us, seen and unseen. You will watch your fingernails become translucent and sheer, and fall away. You will count the flecks of skin that whisper off of your skin and become bits in the light. You are becoming a collection of bits in the light.
Tomorrow you will count whatever is left and compose a time-line of the history of the world. For now, imagine that the world is larger than that. Be calm and unaware. Stay hydrated. Get seven hours of sleep. Reign your dreams from recklessness, and sift the morning, carefully.
Tomorrow you will count whatever is left and compose a time-line of the history of the world. For now, imagine that the world is larger than that. Be calm and unaware. Stay hydrated. Get seven hours of sleep. Reign your dreams from recklessness, and sift the morning, carefully.
Tuesday, May 4, 2010
Veil, Richard Rezac 1987
In all honesty survival was unlikely.
What we left behind we left behind
as dissolving tombstones in an infinite,
burgeoning field. This is best
repeated: what we left behind
we left behind. Displaced from
an eternity that is at some point a given,
only God can save our moments.
I mean remnants. In a dozen years
my yesterday will wash out into the empty
space of a frame. Or if not yesterday,
one of these ventures will.
Or all of them. So what is left is
a veil, made
of iron, with nothing behind it, and no
veil either. As if a frame will save us.
As if there is yet us within, and us about.
Monday, May 3, 2010
Sehnsucht
High above a falcon wheels and withdraws, wheels again as you parse the busy sidewalk: you are looking for someone because you are always looking for someone: you think the world is too full, that there is a glut you will never understand, and yet at times it feels simply wrong: the people whom you do not know, and yet are looking for, and yet feel split apart from, as if you were born missing yourself fully, are gone or replaced by cut-outs you imagine are human: and what if they are, what if every unbelievable face truly is as distant and separated and mistaken as you, what if they too feel split and cloven: before you can finish the question you see the falcon break from the sky: when you were younger watching high things caused vertigo: now, you are convinced that it is right to feel cautious and melancholic: it is right to look for someone whom you do not know: it is right to believe that every sidewalk ends in a precipice.
Saturday, May 1, 2010
The First Days Were The Longest
First, it was the delusion of normalcy.
Repetition had leaked the moments of the greater
moments that they like a single bird looping an unknown
or forgotten language had
represented. Or undecipherable.
A wave understood by itself is a
catastrophe.
Enough of them will compose a sedative
you neither choose nor know the end of.
If this was not the most you could
expect – well, when the last days are creaking by
like everything creaking – bones, chairs, walls
struggling for breath – you can fill out
a survey of your satisfaction. You can be honest.
And yet creeping up along the borders
of even this was the ivy of a malaise so personal I
hid it from myself. The hint
of Chosenness was waiting underneath bathmats
and the curtains already drawn back.
What was it waiting for?
To itself be chosen.
To itself be the delusion of choice.
To itself be called abnormal.
And willed.
Friday, April 30, 2010
How To Believe
Throw out all these thick and coughing
Beliefs. Split your head down
The middle with a cleaver. Come outside.
There will be a wind
Tomorrow.
Dayenu.
Enough of this
delayed gratification
nonsense i want payoff
no more dutifully
placing pennies
writing thank you notes
waiting for drugs
to kick in
reading long things
brussel sprouts
second drafts
second dates
if the first wasn’t spectacular
economy shipping
winning people over
second chances
ok no more third chances
career planning
payment plans
weekend plans
plans beyond tomorrow
fellowship submissions
episodes of True Blood
movies without Diane Keaton
or Barbra
no more research
no more planting seeds
no more planting
i will just order delivery
no more fucking credits
in the karma bank
no more poem-a-day
i am tired.
delayed gratification
nonsense i want payoff
no more dutifully
placing pennies
writing thank you notes
waiting for drugs
to kick in
reading long things
brussel sprouts
second drafts
second dates
if the first wasn’t spectacular
economy shipping
winning people over
second chances
ok no more third chances
career planning
payment plans
weekend plans
plans beyond tomorrow
fellowship submissions
episodes of True Blood
movies without Diane Keaton
or Barbra
no more research
no more planting seeds
no more planting
i will just order delivery
no more fucking credits
in the karma bank
no more poem-a-day
i am tired.
At the Seams
Today, I feel like
I'm bursting.
I don't know with what.
It might be joy,
but that is unlikely.
I don't think it's laughter,
my sense of humor
has been on vacation of late.
It could be excitement,
after all
I'm throwing a big event
on Monday.
It's probably with food,
I gorged myself all month.
But I can't be sure.
Bursting with...
The choices sound so
positive.
But doesn't it really mean
that I'm being torn
apart?
Thursday, April 29, 2010
Righteous
I have a long history of cheating.
Real cheating. Stacking the deck
in CandyLand at age four. Stealing
my brother’s stuffed pig and naming it
after him as if that were payment.
Borrowing lines from other poets
as if I could make them my own.
But ah, then it gets fuzzy: Writing
clever answers on tests because I couldn’t
grasp the real ones. Sleeping with other
men’s girlfriends. Do these things count?
I certainly got credit for them.
Am I proud? Perhaps. Of some. But
mostly I have never been a good
loser. Better to change the rules
than to throw the game, I say.
Real cheating. Stacking the deck
in CandyLand at age four. Stealing
my brother’s stuffed pig and naming it
after him as if that were payment.
Borrowing lines from other poets
as if I could make them my own.
But ah, then it gets fuzzy: Writing
clever answers on tests because I couldn’t
grasp the real ones. Sleeping with other
men’s girlfriends. Do these things count?
I certainly got credit for them.
Am I proud? Perhaps. Of some. But
mostly I have never been a good
loser. Better to change the rules
than to throw the game, I say.
Tease
[part of the series]
There were days when we tested ourselves –
or if not ourselves, then the depths
of a neuroscience outside
of us. You laughed and repeated
whatever we saw until the bottom
of every noun fell out
from under it. We chanted Chair tree
laundromat until we
worshipped in ecstatic
tongues. I didn’t speak again until the night
so I could research our
holiness. Semantic satiation:
which means comprehension comes
from hunger.
You researched divining rods.
I reminded you of the city
around us.
F for Effort
Poems are supposed to be emotional,
or so I've been told.
I want to write a poem about anger.
But I already did that once this week,
and there's not much else
in the way of emotion
inside the tank.
So i'll just sit here
and eat pretzels.
I want to melt cheese over them.
But that would take
too
much
effort.
Wednesday, April 28, 2010
Obsolesence
In a world of closing doors and opening
Windows, one can safely assume the next
Vista will be different than the last,
But no less full of worms and viruses.
A poet once said, “Things fall apart.”
An entrepreneur says, you will pay
For this thing, which will fall apart
And then you will pay again.
How can we build a system that plays
By rules we can’t imagine? Cheating
Death should be the motto of the machine,
And yet, the rough beast urges Us to hack.
Windows, one can safely assume the next
Vista will be different than the last,
But no less full of worms and viruses.
A poet once said, “Things fall apart.”
An entrepreneur says, you will pay
For this thing, which will fall apart
And then you will pay again.
How can we build a system that plays
By rules we can’t imagine? Cheating
Death should be the motto of the machine,
And yet, the rough beast urges Us to hack.
Short Selling
And didn't you too
bet against it years ago?
This pale art, years ago
already dead, too
withered and dusty to
have survived this long?
We are not
averse to the implications
of our age, we are
not averse to digging wells
into the shell that covers
nothing
anymore, we
are not averse to the profit
gained from
losing.
Sea Biscuit
Hi all, here's a poem from a fellow friend just to spice things up (since I can't do the same for your sex lives)
Sea biscuit:
taste
the sea
the biscuit
between the wave
in the bakery
MOTHER
mother’s best recipe
LOOK THERE’S A STARFISH
Golly!
Mother
She always knows best
so does
Sea
Biscuit.
- Sir Colin McGrath
Therapeutic
I love the clink
of freshly washed
dishes.
For each porcelain platter
that I pile into
the pantry,
there are endless possible dishes
that it could hold
before the next time I lower it,
blood stained,
back into the machine.
What a precarious piece of crumb cake that was!
What a precarious piece of crumb cake this is
Tottering on your nose.
It wobbles to, it wobbles fro
And you never know where it goes!
How precariously placed that crumb cake stands
Teetering on your head.
If you were an elephant, they’d congratulate you
But sadly, you’re a man.
In Case of Emergency
there is
(high voltage at track level) so
Listen
(for instructions)
from above
for steel on steel
for a song, a screech
of faith, a show of trust
or sparks hissing at track level
Remain on Train
(do not open side doors) do not strain
to see beyond or back, only
sidelong like a crab walking
Move to another car
(if your immediate safety is threatened)
a wheezing, midnight Taurus
an emerald Beetle
any other glistening city escape
move away
move to some other wheeled wagon
for transporting people, burdens
Exit
(as instructed)
wary of the sparks, the
Danger
(high voltage at track level) so
Listen
(for instructions)
from above
for steel on steel
for a song, a screech
of faith, a show of trust
or sparks hissing at track level
Remain on Train
(do not open side doors) do not strain
to see beyond or back, only
sidelong like a crab walking
Move to another car
(if your immediate safety is threatened)
a wheezing, midnight Taurus
an emerald Beetle
any other glistening city escape
move away
move to some other wheeled wagon
for transporting people, burdens
Exit
(as instructed)
wary of the sparks, the
Danger
[courtesy of the CTA]
At this very moment,
Tuesday, April 27, 2010
Meditation at Halsted and Van Buren
I must have been the same to her. - Robert Hass, Meditation at Lagunitas
After after after a a a while while while I I I understood understood understood that that that
and after I understood that that that then then then I I I understood that
under under under the stairs stood myself myself my self self self and her
her her and we,
talking talking talking
this way, dissolved into the eternal afternoon, solved the eternal and after
noon noon noon everything thing
thing thing thing thing thing thing
dissolves
solves
:
justice, pine, pine pine pine, hair,
blackberry – just just just
just pine for her again and
in the after after afternoon pine under
the stairs and after after a while while her hair
like black black
berries dissolves into the black black everything,
blackberry blackberry blackberry.
After after after a a a while while while I I I understood understood understood that that that
and after I understood that that that then then then I I I understood that
under under under the stairs stood myself myself my self self self and her
her her and we,
talking talking talking
this way, dissolved into the eternal afternoon, solved the eternal and after
noon noon noon everything thing
thing thing thing thing thing thing
dissolves
solves
:
justice, pine, pine pine pine, hair,
blackberry – just just just
just pine for her again and
in the after after afternoon pine under
the stairs and after after a while while her hair
like black black
berries dissolves into the black black everything,
blackberry blackberry blackberry.
Comments
One of Madden's recent comments made me think I should mention 'comment subscribing.' For all posts that you are interested in - whether it's a poem you've written or one you've commented on or if you just want to subscribe to every post that is made - you can receive every comment by email by clicking the 'subscribe by email' link next to the 'post a comment' box. This is a helpful way to stay involved in the conversations on each poem.
Also, remember to add a label to your poems. Before you publish the post, type your name in the box next to "labels for this post" at the bottom of the post screen. I have made labels for each author by first name, so be sure to add one when you are publishing (makes sorting out whose are whose much easier).
Gordian.net
A nest
of
jumbled
wire
cased
in blue plastic
sits
before me.
I pull
at one end,
watching
it snake
inch
by inch,
across the floor;
hoping
to unspool
the mess
at my feet.
Yet after hours
of pulling,
the woven
ball of
ethernet cable
seems only
to have grown.
Thinking [Of You] Under Water
At night I know the sea, riddled with boats,
Trusts the sand to stay beneath, the fish
To float into the mouths of bigger fish. Not fathoming its depth
Or edge, the particles of glass, clean bones
Caught up in water always foaming,
Crawling, turning shells to stone,
Holding lightly all the peopled boats
Cradled in the black cold,
Or drowning.
The sea trusts, as I trust that you,
Within my thoughts, are safe, though far,
And floating, or alone observing mobs of orange fish
Disordering the sea
In the deep part light won’t dive. The fate of swimmers,
The invisible salt, the inconstant colors
Waves inherit from the sky’s reservoir of blues
Are none of them the ocean’s province.
Like a great love it only loves,
Pours itself back in itself, not shifting
The sleeping line of the horizon.
Trusts the sand to stay beneath, the fish
To float into the mouths of bigger fish. Not fathoming its depth
Or edge, the particles of glass, clean bones
Caught up in water always foaming,
Crawling, turning shells to stone,
Holding lightly all the peopled boats
Cradled in the black cold,
Or drowning.
The sea trusts, as I trust that you,
Within my thoughts, are safe, though far,
And floating, or alone observing mobs of orange fish
Disordering the sea
In the deep part light won’t dive. The fate of swimmers,
The invisible salt, the inconstant colors
Waves inherit from the sky’s reservoir of blues
Are none of them the ocean’s province.
Like a great love it only loves,
Pours itself back in itself, not shifting
The sleeping line of the horizon.
If a cup of tea were loneliness
I spent today drinking
tea with my brother.
We shared Darjeeling,
black, and Stichomythic
conversation. You see,
he prefers to believe
in the American. For him,
anything conceivable
is possible. How fitting
this is for a young
physicist. He tells me that
we all have an effect
upon this universe.
If only I thought
in mathematical abstractions
such a view would be
just as simple. Instead,
I stare into the black
bottom of my cup and
hope that it is a witch’s
brew that will take me
back to you.
tea with my brother.
We shared Darjeeling,
black, and Stichomythic
conversation. You see,
he prefers to believe
in the American. For him,
anything conceivable
is possible. How fitting
this is for a young
physicist. He tells me that
we all have an effect
upon this universe.
If only I thought
in mathematical abstractions
such a view would be
just as simple. Instead,
I stare into the black
bottom of my cup and
hope that it is a witch’s
brew that will take me
back to you.
A Delicious Afternoon
Today was scrumdiddlyumptious in a mad hatter sort of way.
Weaving through the streets were trees on the move.
Flowers full in bloom thrust up on their branches
like the phalanges of a giant octopus
or a basketful of dildos. Both the same I guess
if Hokusai had anything to say about it.
Spring brings with it the delicious prospect of carnal delight.
Weaving through the streets were trees on the move.
Flowers full in bloom thrust up on their branches
like the phalanges of a giant octopus
or a basketful of dildos. Both the same I guess
if Hokusai had anything to say about it.
Spring brings with it the delicious prospect of carnal delight.
Monday, April 26, 2010
Five Resolutions in the Name of Stress Relief
1.
No more reading news
unless you think you can do
something about it.
2.
Next time you "live chat"
with a librarian, do
not discuss late fees.
3.
Be more like Weston.
He is a cat. Cats do not
put up with this shit.
4.
For God’s sake Dinah,
there’s no reason to assume
someone is pregnant.
5.
Start trusting your friends
to catch when you’ve gone crazy.
You’re a rotten judge.
No more reading news
unless you think you can do
something about it.
2.
Next time you "live chat"
with a librarian, do
not discuss late fees.
3.
Be more like Weston.
He is a cat. Cats do not
put up with this shit.
4.
For God’s sake Dinah,
there’s no reason to assume
someone is pregnant.
5.
Start trusting your friends
to catch when you’ve gone crazy.
You’re a rotten judge.
When I'm Angry
I'll be stroking my chin,
or so it will seem
to you.
In actuality,
I'm holding my jaw
shut
tight,
to stop myself
from doing something
regrettable.
And when I do
unclench my teeth,
my voice will quietly
waver,
because my jaw
is trembling,
trying to stay
clamped
despite my minds insistence
to do otherwise.
And if I pull it off,
you might just think
I have a cold,
and not realize that I'm
fumbling
to reinsert the pin
that you so foolishly
removed.
How I Try to Rewrite the Past and It Doesn't Work
Look, I'm just not used to writing
something straight and having enough
trust in language as an arrow rather than
as a deep pool that you happen upon
in the woods, the kind of woods you can
use the words "crystal" and "diamond"
with, maybe "shimmering," and the kind
of pool that kings throw their swords
into. The kind with an opaque surface
which may hide passageways to the center
of the earth. The kind where it's always
night. I'm not good at it. And this is all
why I've got to apologize, for the fight I picked
over a board game, or for the note I gave
in a cafe, or for everything that just hasn't added
up lately. I'm sorry: you aren't anything
more important than an experiment - less
actually: you are a variable, and I am
the hypothesis. Really, I am trying to get at
something real and weighty that you can
put in your pocket and remember when
you pull your jeans out of the washer because there
it is, crumbled and ugly. I'm trying to say
that if existence the way we know it is a kind of
qualifier, then we can predicate everything
by it, like the color of your hair or the nose
that you hate or the brotherhood you've
bound me by, even if who you are is confused.
And what I'm trying to say is that If X, Then
Y just may not apply, or in a twisted way,
the most meaningful pool may not ever be
discovered. I'm saying that I'm sorry for using
you to test this world, and that however often
I am wound around by something so simple as
hunger or exhaustion, I don't know if
it's real, or perhaps worse, if it's worth
throwing oneself over cliffs for. So you've got
to understand that that note - look, I know you
thought it would be something else, maybe
short and beautiful - but you've got to understand
that the important part of the note isn't what's
on it. It's that I gave it to you. It's that saying something
has to be worth it being given an existence of crumpling
and being thrown away, even if it's nothing.
something straight and having enough
trust in language as an arrow rather than
as a deep pool that you happen upon
in the woods, the kind of woods you can
use the words "crystal" and "diamond"
with, maybe "shimmering," and the kind
of pool that kings throw their swords
into. The kind with an opaque surface
which may hide passageways to the center
of the earth. The kind where it's always
night. I'm not good at it. And this is all
why I've got to apologize, for the fight I picked
over a board game, or for the note I gave
in a cafe, or for everything that just hasn't added
up lately. I'm sorry: you aren't anything
more important than an experiment - less
actually: you are a variable, and I am
the hypothesis. Really, I am trying to get at
something real and weighty that you can
put in your pocket and remember when
you pull your jeans out of the washer because there
it is, crumbled and ugly. I'm trying to say
that if existence the way we know it is a kind of
qualifier, then we can predicate everything
by it, like the color of your hair or the nose
that you hate or the brotherhood you've
bound me by, even if who you are is confused.
And what I'm trying to say is that If X, Then
Y just may not apply, or in a twisted way,
the most meaningful pool may not ever be
discovered. I'm saying that I'm sorry for using
you to test this world, and that however often
I am wound around by something so simple as
hunger or exhaustion, I don't know if
it's real, or perhaps worse, if it's worth
throwing oneself over cliffs for. So you've got
to understand that that note - look, I know you
thought it would be something else, maybe
short and beautiful - but you've got to understand
that the important part of the note isn't what's
on it. It's that I gave it to you. It's that saying something
has to be worth it being given an existence of crumpling
and being thrown away, even if it's nothing.
Sweet Hallucination
A sugar cookie's soft and sweet,
A gingerbread's got bite;
Chocolate chip is the original
Post-entree delight.
Oatmeal raisin has a claim to health,
Snickerdoodle has the best name;
But the one that takes the cake's
The Thin Mint of Girl Scout fame.
It's brisk; it's bold; it's toothsome,
It's more than what it seems.
The Thin Mint dissolves on my tongue
And dances in my dreams.
A gingerbread's got bite;
Chocolate chip is the original
Post-entree delight.
Oatmeal raisin has a claim to health,
Snickerdoodle has the best name;
But the one that takes the cake's
The Thin Mint of Girl Scout fame.
It's brisk; it's bold; it's toothsome,
It's more than what it seems.
The Thin Mint dissolves on my tongue
And dances in my dreams.
Sunday, April 25, 2010
Such love
The preacher on the train says
he loves God's creatures so much
he loves all people so much
he loves me so much
he'd hate to see me burn in hell.
I want to love that way.
I want my love to be a threat.
I want to say, I love you so much
love you so hard and deep,
I'd hate to see you cross me.
he loves God's creatures so much
he loves all people so much
he loves me so much
he'd hate to see me burn in hell.
I want to love that way.
I want my love to be a threat.
I want to say, I love you so much
love you so hard and deep,
I'd hate to see you cross me.
My mirror face
Hi there you sexy devil you.
You're a fox. A cat. A saucy
cat, a cougar perhaps? Ah,
not yet. You'll have to wait
for that. You are what you
are. You is what you are.
You are what you is you
feathered minx. You're a
walk-about wanderer
looking for some love. Who
wouldn't want a taste of
those bovine lips? A drink
of those flamenco eyes? A
sniff of that elken musk, a
view of those molars?
Botticelli would be oh so
very proud of you. Shakespeare,
Dante, and Donne, Beckett,
Klimt, and Van Gogh, Woolf
and O'Keefe, Calvino and Dali
and perhaps your mother and father too.
You're a fox. A cat. A saucy
cat, a cougar perhaps? Ah,
not yet. You'll have to wait
for that. You are what you
are. You is what you are.
You are what you is you
feathered minx. You're a
walk-about wanderer
looking for some love. Who
wouldn't want a taste of
those bovine lips? A drink
of those flamenco eyes? A
sniff of that elken musk, a
view of those molars?
Botticelli would be oh so
very proud of you. Shakespeare,
Dante, and Donne, Beckett,
Klimt, and Van Gogh, Woolf
and O'Keefe, Calvino and Dali
and perhaps your mother and father too.
Lust
Greek yogurt dreams
covered in bacon grease.
If only these hips
hadn't aged so widely,
this mind would be able to bend too.
covered in bacon grease.
If only these hips
hadn't aged so widely,
this mind would be able to bend too.
These Waters
These waters rustle like the leaves.
Spring is coming -
but an acorn drops.
Quick, bury it in the sand
before someone sees.
Spring is coming -
but an acorn drops.
Quick, bury it in the sand
before someone sees.
Masterpiece
Shut your
eyes. Stop
your ears
with wax.
They dis-
appear,
the ghosts
whom you
know not
whether
to fear
or be-
come one
of. Shh.
Listen
by not
listen-
ing. Slow
the pulse
of the
world. You
can, real-
ly. Sharp-
en your
focus
on a
leaf in
the rain.
Cover
yourself
beneath
it. The
only
true art
is blood
thirsty.
Become
the change
you want
to see
in your
self. Call
it art.
Destroy
it when
it’s no
longer
timely.
Then your
eyes can
open.
Chew
Gnashing jaws clenched in pause
consider teeth as seas: incisor waves,
the swell and crest of white-caps,
the ebb and chomp of molar tides
atomizing rock and atomizing grain
into grains suspended
in an enzymatic salivation
ground down beyond round,
ground to flow swirling in a maw
agape and settle on the tongue-soft
stomach floor of salted, shifting soil.
A slow acidic, saline massage
curls it all into the digestive
primed swill of ages; gluish knots
unbound once again, or broken to rebuild
a crystalline world in sucrose and in sand.
consider teeth as seas: incisor waves,
the swell and crest of white-caps,
the ebb and chomp of molar tides
atomizing rock and atomizing grain
into grains suspended
in an enzymatic salivation
ground down beyond round,
ground to flow swirling in a maw
agape and settle on the tongue-soft
stomach floor of salted, shifting soil.
A slow acidic, saline massage
curls it all into the digestive
primed swill of ages; gluish knots
unbound once again, or broken to rebuild
a crystalline world in sucrose and in sand.
Saturday, April 24, 2010
Books
Books make my mother feel wealthy.
She's an attorney, mind you, graduate
of The Yale Law School (which you'd know
if you'd ever seen her try to chop
a zucchini or read a poem, she'll
tell you they didn't teach her that
at The Yale Law School as she botches
the dice and mangles a metaphor), so by most
measures she really is wealthy.
Nice house, three well-fed kids, four
cats presently (maxed out at seven),
but it's the books, she says, that really
make her feel she's made it. So the house,
that nice house, is filled with them.
Many unread, most never again to be
opened, but every room has a shelf
and I found some good stuff boxed
in the attic too, secret treasure troves.
My books are my burden. Books make my mother
feel wealthy, and I have inherited
her habit of accumulating them, mostly
from discount bins and friends'
giveaway piles. I will never have
a giveaway pile. As any New Yorker
will tell you, this is madness: we move
constantly, and moving my books is not
entirely unlike moving mountains. My recent
use of the library gives me nightmares:
what if I am writing a love letter, the letter
that will determine the fate of my
well my everything, and all I need is
one quote, one quote from the perfect book
which I returned the library two days before.
I thought books were permanent. These new rules
unsettle me. So I buy more dollar paperbacks
for their title or tagline or because I think
I've read about the author before, and the books
accumulate and I try to keep up but the library
keeps sending books too, and if I don't finish
them fast there's a fee, and all told it's very
overwhelming. My books, my burden, my inheritance
is very overwhelming. I'm unclear on its permanence.
She's an attorney, mind you, graduate
of The Yale Law School (which you'd know
if you'd ever seen her try to chop
a zucchini or read a poem, she'll
tell you they didn't teach her that
at The Yale Law School as she botches
the dice and mangles a metaphor), so by most
measures she really is wealthy.
Nice house, three well-fed kids, four
cats presently (maxed out at seven),
but it's the books, she says, that really
make her feel she's made it. So the house,
that nice house, is filled with them.
Many unread, most never again to be
opened, but every room has a shelf
and I found some good stuff boxed
in the attic too, secret treasure troves.
My books are my burden. Books make my mother
feel wealthy, and I have inherited
her habit of accumulating them, mostly
from discount bins and friends'
giveaway piles. I will never have
a giveaway pile. As any New Yorker
will tell you, this is madness: we move
constantly, and moving my books is not
entirely unlike moving mountains. My recent
use of the library gives me nightmares:
what if I am writing a love letter, the letter
that will determine the fate of my
well my everything, and all I need is
one quote, one quote from the perfect book
which I returned the library two days before.
I thought books were permanent. These new rules
unsettle me. So I buy more dollar paperbacks
for their title or tagline or because I think
I've read about the author before, and the books
accumulate and I try to keep up but the library
keeps sending books too, and if I don't finish
them fast there's a fee, and all told it's very
overwhelming. My books, my burden, my inheritance
is very overwhelming. I'm unclear on its permanence.
Wauwinet, 1953
Wiggle your fingers
into the thick rubber
gloves.
Slide your feet
into the thick-soled
boots.
You will require help
with the laces --
your newly chubby fingers
lack the dexterity
needed to tie a knot.
Attach the hose
to the security-seal
bracket.
Tighten the helmet
and feel secure beneath the
brass.
You will see differently
through the circular glass pane --
learn to swivel your shoulders
to compensate for a new
lack of peripheral vision.
Step off the dock
and try to wave goodbye --
the suit will make it difficult.
Turn on your headlamp quickly
or you will get lonely
in the dark.
Friday, April 23, 2010
Chaos begets Chaos
Fully acknowledging cop-out. Will do better tomorrow.
This week's left me feeling quite sore;
It's been heartache and let-downs galore.
At the end of this bedlam
I'd give two limbs and then some
to just catch a glimpse of my floor.
This week's left me feeling quite sore;
It's been heartache and let-downs galore.
At the end of this bedlam
I'd give two limbs and then some
to just catch a glimpse of my floor.
Veg
When sinking
lower,
and lower
into quicksand,
the mush envelops me;
swaddling my stretched
muscles, and lifting
the weight from my soles.
In a way,
it's so relaxing,
I'd rather grab
a remote control
than a lifeline.
TVs I grew up with
Tell me the first:
two nobs hand tuned
to fourteen channels
antennae like late station wagons
perfect
fake wood siding
for a Saturday morning
where remotes are still remote
like island life or HBO.
Tell me the second:
wobbling cathodes
lifted from a basement
of liquidated rental tapes
the firm grip of business
dissolution wobbling
on powder-painted black steel tripod
legs
a silver box midair
at a great distance
the six button oblong brain
detachable
from the couch control
for the AA price
of batteries.
Tell me the third:
big glass black bulge
wider than my stubby arms
more buttons than the alphabet.
The end of trading up.
Each ever-bigger filter
for those signals
shielded in the plush
metallic hug of tangled cables
and cartoons and news
stretches to fill a slightly dusty world
with its powerless and distant vision.
Eyjafjallajokull
[This is likely part of my Documenting the End of the World series.]
Weeks ago smoke filed
out in billowing
columns. Airports closed
across Europe as the ash hung like shredded
curtains. Somewhere
a great bowl was overturned
and in a café in Chicago I watched
planes of light unsettle
the dust.
We slept uneasily,
buffeted by clouds of our
inconveniences.
-Bad air, you said, and we all
breathe it. -So, I said,
a conspiracy?
We didn't laugh.
The unpronounceable bowels of the Earth
scattered slowly
over the ruins
of our
civilization.
As if trying to
forget us.
Weeks ago smoke filed
out in billowing
columns. Airports closed
across Europe as the ash hung like shredded
curtains. Somewhere
a great bowl was overturned
and in a café in Chicago I watched
planes of light unsettle
the dust.
We slept uneasily,
buffeted by clouds of our
inconveniences.
-Bad air, you said, and we all
breathe it. -So, I said,
a conspiracy?
We didn't laugh.
The unpronounceable bowels of the Earth
scattered slowly
over the ruins
of our
civilization.
As if trying to
forget us.
Thursday, April 22, 2010
Introduction
And this is your great
grandma, Mima.
No that's not her, she's
the next one over. Can't
you tell, she has
the family chin.
She was born in Oklahoma
Territory, before it became
a state.
She was born in a dugout.
Yes, a dugout.
Her father tattooed
all the children, in case
of an Indian attack.
The skin of her forearm was inked
with her initials.
No, her name.
Her family name?
I don't know.
Anyway.
Mima had a twin
sister. She was lazy,
let Mima do all the work.
Her life was unhappy,
but Mima married
a boxer nicknamed Big Six.
Six what?
Don't ask me...
Big Six died
of a head injury,
they say.
Mima became a
widow, gave food
to the poor, said her
prayers, raised
her children.
She grew old
watching baseball on TV;
planting flowers;
and playing practical
jokes on her daughter.
Like that one time, she dressed
as a witch.
It was a character
from the Bible.
No, a witch.
A Bible witch?
She came down to tea
with her daughter's friends
the pointy hat,
the warty nose,
the scraggly hair. Who
am I, she cackled
until someone
finally
guessed correctly.
grandma, Mima.
No that's not her, she's
the next one over. Can't
you tell, she has
the family chin.
She was born in Oklahoma
Territory, before it became
a state.
She was born in a dugout.
Yes, a dugout.
Her father tattooed
all the children, in case
of an Indian attack.
The skin of her forearm was inked
with her initials.
No, her name.
Her family name?
I don't know.
Anyway.
Mima had a twin
sister. She was lazy,
let Mima do all the work.
Her life was unhappy,
but Mima married
a boxer nicknamed Big Six.
Six what?
Don't ask me...
Big Six died
of a head injury,
they say.
Mima became a
widow, gave food
to the poor, said her
prayers, raised
her children.
She grew old
watching baseball on TV;
planting flowers;
and playing practical
jokes on her daughter.
Like that one time, she dressed
as a witch.
It was a character
from the Bible.
No, a witch.
A Bible witch?
She came down to tea
with her daughter's friends
the pointy hat,
the warty nose,
the scraggly hair. Who
am I, she cackled
until someone
finally
guessed correctly.
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